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To All Dead Sailors

FAWM

i am a cold rock, i am dull grass

A Houseguest's Wish

February

I am not in Spain

The Day After Leaving

The Inexplicable Falling

A Terrible Beauty

Beneath Pavement, Grass

Where Stillness Breathes

Above the Orange Trees

 

 

Beneath Pavement, Grass
Mudita Records
copyright 2000
out of print

I was sitting in my bed late at night reading some short story ( I confess I canÍt remember which) when I came across the title of this record... itÍs an old Chinese proverb. I just loved the idea that there is always something beautiful that remains hidden. My whole life felt rather veiled and concealed at that time. The picture on the cover is of Dana. She was so terribly supportive and elemental in helping me to believe in myself as an artist. Especially then. I suppose the photo was my strange way of thanking and paying homage to her, for maybe she was the only thing not hidden. I was still reeling from the fall of the band crumbling, and disheartened by just about everything musical. My singing was seeming especially impossible. The first song is about not always being the best partner that I could be, and feeling remorse for that. I was often distant with her, mainly because of things I was trying to resolve within myself rather unsuccessfully. The song is part truth part fiction. I wrote it quite spontaneously late one night in the studio.

Written and recorded in about an hour. The fictional part is simply that as I was writing it, I knew that I would offer it to Conlon for the last song in a short film he was making. So maybe I shaped it a bit. He accepted. I had a terrible cold, which later resulted in the losing of my voice, and on this version of the song I sound so gravelly itÍs amazing; like Tom Waits is in my belly. The next song is happy and bright, sort of the opposite of “sorry my love”; it first appeared on “where stillness breathes”. The disc ends with an instrumental that reminded me of the soundtrack for “the million dollar hotel”, thus its title. Some people got this disc free when they bought a copy of “A Terrible Beauty”. It was the first Mudita Records release. Yet another beginning. I had been struggling so much with music and so enchanted by “Birthday”, and more specifically Jacob Golden, that I had this epiphany one night.

I realized in a fit of insomnia, that I needed to end my struggle with music and just let it breathe. Stop wishing and striving and fighting to be someone else. Kill my envy. The word Mudita translates as several things... primarily it is the concept of true love: completely unconditional. But it also means the opposite of jealousy. Gorgeous. The beginning of the label and this recording, were such an enormous turning point in my life, changing my relationship with music dramatically. I passed this out as a demo to get shows in Sacramento. Later that year with Greg in Greece again, Conlon and I tore down the studio, borrowing JohnÍs truck to make countless trips to the dump. Steve stumbling around behind us gathering all of the screws. Cockroaches had moved in and were living off the pink insulation. Black widows in the rafters. Hot as fuck. 110. It was a time with great sadness and loss. A dream withering in the sun, cracked at the edges.

A goodbye of sorts.


TRACK LISTING

1. Sorry My Love
2. Popsong #3
3. Unfinished
4. Beautiful hotel